Here is the story of John Lennon's assassination (13 years before it happened.). It begins immediately after Lennon was shot.
Verse one, chapter heading: The Killing.
The verse, intact:
I am he as you are he as you are me and we are all together
See how they run like pigs from a gun, see how they fly -- I’m crying
"I am he as you are he as you are me and we are all together"
The story teller addresses the crowd. We are all One -- part of each other, something just happened to one of us, gonna kick us all in the butt.’ Notice the story teller identifies as I, me, and we – so could be anybody or many buddies. And this line – will be back.
"See how they run like pigs from a gun see how they fly"
The portico of the Dakota is a brick tunnel 20 feet high, more than 30 feet long. 5 gunshots in that enclosed space? Shattering glass echoing off of everywhere! Scares the shit out of everybody!
They run like hell – squealing in fear -- scatter through the dark, through parked cars; into traffic: to get away, just get away! Like pigs from a gun. From Lennon’s view, in shock, lying upside-down – their coats flapping around ‘em as they jump over anything and everything to get the hell out of there – well – see how they fly!
"I’m crying!"
Yeah. Lennon is bleeding out. Thru the haze he sees those groupies’ terrorized escape. He tries to get up, but he can’t move – At. All.
That’s verse one. So what do we got? A story teller. A crowd that gathers to watch – and the glimpses of Lennon and the groupies are exactly what happened.
Verse two: The Perp. The feature player here was denied parole for the 12th time the summer of ‘22. The whole verse:
Sitting on a cornflake waiting for the van to come
Corporation t-shirt; stupid bloody Tuesday
Man you been a naughty boy you let your face grow long
Interesting side-note: while Lennon was still working on the lyrics, a friend of his, Pete Shotton, guy who played the washboard in the skittle group The Quarrymen – (group John formed when he was 16 that evolved into the Beatles), anyway, Pete suggested change where Lennon had ‘man’ to ‘van’ — could make it more confusing, like Lennon said he wanted. Read it – it doesn’t make sense. BUT in context the picture becomes clearer.
"Sitting on a cornflake waiting for the van to come"
This guy was crazy, right? – flaky. He shoots Lennon, puts down his gun, pulls a paperback out of his pocket and starts reading, waiting for the cops to come get him! When they arrived, they arrested him, called the paddy wagon. So Chapman waited twice.
In New York City police had two types of paddy wagons. Big one, manufactured by International, looks like a school bus, except for the stuff written on the side, cages in the windows.
The smaller one that came for Chapman was literally a van, a Ford 8-passenger van -- sky blue body, white roof with a rack of revolving lights. So Shotton’s change, man to van, didn’t just make it clear – it’s an exact description of what happened! Chapman waited for the van to come! Book was Catcher in the Rye, and it matters, but more later.
"Corporation T-shirt"
People ask me all the time, what got me looking? A picture in the paper.
Every time I’d sit down to play I Am the Walrus, this picture popped into my head. See the logos? Chest and shoulder? This guy is wearing a corporation t-shirt.
This is how the world got to know Mark David Chapman, from the New York Times, first edition after the guy in the corporate t-shirt shot John Lennon. I got this copy right next to the Dakota, that morning. Because I’d heard. And me and a whole lot of other people went down there – were drawn down there.
I’ve heard estimates of more than 10,000 – before daylight. I just found out James Patterson, the writer, was drawn down there, too – And I promise you, line 2 ½ of verse two was standing there with the rest of us, we even know his name:
"Stupid bloody Tuesday."
Which was initially a problem, cause Lennon was shot late Monday night. Other people have noted that Greenwich time, where Lennon wrote Walrus, 13 years later when he was shot, it was already Tuesday when that gunfire echoed through the portico.
"I am he as you are he as you are me and we are all together"
Taken all together, the eyes of humanity—100% of us except for less than say 50 people in mid-town Manhattan--heard of John Lennon’s death on a stupid bloody Tuesday; and like the Kennedy assassination or 9/11, or Sandy Hook -- a lot of us remember where we were and what we were doing when we heard. This was heard around the world.
"Man you been a naughty boy you let your face grow long"
Again, from public record: In Hawai’i, before he came to New York, Chapman was diagnosed as manic depressive. He let his face grow long.
He’d lost his job and was living off his girl friend – I don’t think he was happy about that.
That thought came to me after I recovered from what was, for me, one of the biggest, almost debilitating shocks I’ve experienced from these Walrus revelations -- so far:
The logos that make it a corporation t-shirt belong to the Atlanta YMCA. I have a history with the Atlanta YMCA. Obviously, Chapman, does too.
I didn’t know he grew up a few miles from where I grew up, just outside Atlanta. In interviews he has talks about his time as a counselor. I was a counselor, too. When school was in, on weekends, I was a riflery instructor for the Y, a class for 7 to 9 year-old boys.
Chapman would have been 7 years old – while I was there. But that was more than 60 years ago. The records are long gone. I kinda remember a couple of the kids, but no names. I don’t know if Chapman was one of them, but it can still stop me dead in my tracks when it flashes through my head I might have taught John Lennon’s murderer how to shoot.
Anyway, around there, back then, you didn’t grow up to live off your girlfriend.
There’s more -- at his trial Chapman admitted he was guilty, but he said – and this is a quote,“a ‘… voice told me to.’ … Do it, do it, do it,’ over and over again, ‘Do it, do it, do it,’ like that.” He called it the voice of the Higher Power – the court doctor called it paranoid schizophrenia.
Now please, pardon my opinion here – regard it as nothing more. To me that’s not a good enough reason to shoot anybody.
Now -- the chorus! It’s the heart of the song -- appears four times in Walrus, and as the story grows, the meaning of each chorus evolves as well. Think about that! It takes a massive artful intellect to achieve something like that. First chorus Heading: “Cast of Characters”
I am the egg-man. They are the eggmen.
I am the Walrus, goo-goo-ga choo.
"I am the egg-man."
Humpty Dumpty. Lennon said so. Multiple interviews. I agree. At least for now.
"They are the egg-men"
Far as I know nobody has recorded Lennon’s idea of who this ‘they’ are. I have an answer: smile -- here we are – you and me -- some part of humanity. Fans. The watchers. We are all together – watching this walrus character.
"I am the Walrus! goo-goo-ga-choo"
Not me you understand. It’s the headliner from Lewis Carroll’s poem The Walrus & the Carpenter.
"Goo goo ga choo"
Baby talk – to calm the kiddies.
Sometimes it’s weird what gets you to see the Truth hiding there in front of you. The first time I got the crazy feeling Lennon didn’t understand his own lyrics -- he said the walrus was a mistake he made.
He thought the walrus was the good guy in Lewis Carroll’s poem. But when he went back and looked--Playboy interview, that year, 1980, in his exact words: “Oh sh-t, I picked the wrong guy. I should have said, ‘I am the carpenter.”’ Cause he wanted the good guy.
Wait, John! They’re BOTH bad guys. They’re in cahoots -- the walrus does the talking – but they both chow down on the baby oysters.
Of course, just because Lennon said it, doesn’t mean he meant it. But this time, I think he did mean it because he was wrong. He thought the Walrus was a good guy – he’s not. Which made him wrong twice. There ain’t no good guys in the Chorus, either.
I call the third verse “Blue Bloods” because back at the Dakota, the police arrive immediately. Officers in the first car take custody of Chapman, who’s waiting for them, reading. A second car arrives almost the same time.
New York City police officers, James Moran and Bill Gamble get to Lennon – there’s no time to call an ambulance, which was procedure -- they lift him into the backseat of their cruiser, jump in and take off, siren screaming, lights flashing, through that frigid night, headed to Roosevelt Hospital, now Mt. Sinai, 15 blocks or so up the Westside. Verse 3 joins ‘em for the trip. Blue Bloods – Death Ride.
Mr. City p’licemen pretty p’licemen little p’licemen in a row
See how they fly like Lucy in the Sky, see how they run
I’m crying I’m crying I’m crying I’m crying
"Mr. City P’licemen pretty p’licemen little p’licemen in a row"
In 1967, Lennon lived in London. He hadn’t moved in with Yoko yet. Nobody was talking about living in New York, or leaving England, or anything like that. But here we have Mr. City Policemen. In London, back then, nobody called the cops policemen – they were ‘bobbies’. I hear that’s changed, but this story is about city cops.
New York city cops.
From the backseat, Lennon would only have seen Gamble and Moran in the front seat, sitting in a row! With the back of the seat in between, he could only see a little of them -- this much -- from the ears up, (gesture) Little policeman – sitting in a row.
Lennon might have thought they were pretty because they were doing everything they could to save his life.
Pretty. Little. NYCity policemen. Sitting in a row. Exactly what they were! Exactly like it happened.
"See how they fly like Lucy in the Sky see how they run"
Okay. "See how they fly"? They’re screaming up 9th Avenue at – who knows – 70 miles per hour – Police cruisers in New York City have four different colors of revolving lights: red, blue, yellow and white, if white’s a ‘color.’
Lying in the backseat, out the window Lennon could only see half the buildings – the middle half – doing the wa-wa-tusi – jukin’ back and forth -- morphing, multi-colored – dancing in the revolving lights of the squad car flying past fast.
"Lucy in the sky"
is Lucy In the Sky with Diamonds – Beatles song about acid trips on the Sgt Pepper album out earlier that same year.
When Lennon talked about Walrus being nonsensical, he said parts of it were written during two different acid trips so he wasn’t even using the same delusions. Did this delusion -- buildings dancing in the night – remind Lennon of tripping? Yuh think?
"See how they run"
60, 70 miles per hour in mid-town Manhattan – those cops were on the run to save John Lennon’s life! (a finger for each time)
"I’m crying"
Lying in the backseat, Lennon realizes uh oh! Something is terribly wrong. The distractions fade.
"I’m crying"
Uh oh, it’s me. I’m hurt.
"I’m crying"
Uh oh, I’m really hurt.
"I’m crying"
Oh no – I’m hurt to death.
Nonsensical? No. Those two words appear a lot in Walrus, and everytime! --they are so right, so real and say so much.
That’s verse three. It not only anticipates the break with police protocol -- cops were trained “Call the ambulance -- wait for EMTs!”-- it describes EXACTLY how the cops broke the rules, where they sat, where Lennon was riding, what he saw from there – we can feel the tension, his erupting panic, the heartbreak -- as we glimpse into John Lennon’s Soul as he lay dying.
Now, verse four also takes place in the squad car, but the story is about to change. The Parable begins, ‘n I follow where the story goes. I’m still gonna stick to the facts, but they change from matters of public record to What Appears On the Recording – exactly what we’ve listened to for more than 50 years. We heard the cry for help. We just didn’t understand what it was.
In verse 4, both kinds of facts matter: what we know happened from public record, and what the track says happened – and this is another place that Walrus is different from and more accurate than what the world was told at the time – and was incorrectly preserved in public record.
Lennon’s death certificate says he died at the hospital. In the impromptu news conference that night, which I watched as it happened just after midnight on one of those mini-tvs -- 7 inch screen barely bigger than the face of a smart phone, had to plug it in, the lead doctor said they worked on Lennon 45 minutes trying to resuscitate him, but try as they could, they couldn’t save him. And he was pronounced dead just a few minutes ago. At the hospital.
But a few years later, the doctor who took Lennon into the Emergency Room did an interview and said the reason they couldn’t save him was he was dead when he got there. But it was John Lennon, for God’s sake – they did everything they could, even after they knew better.
And now we know better: Lennon died in the back seat of that NYC police car, not like his death certificate says, but exactly like verse four says:
Verse 4, John Exits Stage Left, With Regret:
Yellow matter custard dripping from a dead dog’s eye
Crabalocker fishwife, pornographic priestess
Man you been a naughty girl, you let your knickers down
"Yellow matter custard, dripping from a dead dog’s eye"
In interviews, Lennon said that first image comes from a nursery rhyme he learned as a kid that doesn’t make sense and that’s why he picked it. I don’t agree – but I need to share a couple of things before I say why.
Some time ago, I had a pretty spectacular motorcycle accident. The particulars don’t matter, but at one point -- there was this instant I realized I was dead -- nothing I could do -- before I could blink or take a breath – smashed to pieces!
In that 100th of a second -- two things happened:
One -- deep in my gut -- I mean my very center -- a huge like electrical shock exploded in me and shot through every molecule in my body and my body JERKED. I had nothing to do with it.
It jerked so hard it pulled me sideways to the right. I can still see that lady’s face – freaked out, frozen – as her car blew right over where I was. I coulda touched her cheek -- it woulda ripped my arm off.
My bike crashed up under the stopped car that started all the trouble; I bounced off the hood and landed right in front of the bumper, staring at the headlight. At that point, I was glad it stopped.
The other thing: my life flashed before my eyes. That’s when I learned it wasn’t like a movie. For me anyway, it was still shots. From my childhood mostly, frozen in time. I saw somewhere between 50 and 100 stills of me all at once -- and I was confused or scared or ashamed and I didn’t know why, but it was MY FAULT And to save myself, my unconscious froze everything – as it was happening -- and buried it -- half seen, half felt – deep in some corner of my gut where I never go. But it can’t be left there unresolved – that instant I knew I was dead, it flooded over me. All of it.
I had a near death experience.
Lennon was like a lot of us crazy humans. He talked about his struggles a lot. Sometimes he thought he was more famous than Jesus, but mostly he thought he was a pretty shitty person.
He didn’t like the way he looked, acted – he grew up without a father figure. He had a large, ingrown feminine side he felt icky about – but occasionally it was in control.
For a while at the Dakota he referred to himself maybe tongue-in-cheek as a stay-at-home mom.
So now, in the back of that New York City squad car, Lennon has a Near Death Exp that doesn’t stop.
"Yellow matter custard, dripping from a dead dog’s eye"
Lennon, just a kid, finding his dog he let out by mistake, in a ditch, run over, head smashed to pieces like a broken egg – dead.
"Crabalocker fishwife"
Lennon made up the word crabalocker. He said it was part of the nonsense and on-line babble agrees. I don’t think it’s nonsense. I think it’s really visual. He sees a moment where he’s hurting someone he really loves, it’s his fault because he behaved wrong and couldn’t help it.
This festering memory pops out of the trove of hidden moments, and his mind’s eye – that dead dog’s eye -- stares at himself, a crabalocker fishwife – a shrewish, scary hag screaming at somebody he really loves. Hurting them. Making them cry. John! Stop! It’s in the Past – nothing you can do – let it go!
"pornographic priestess"
So what does an incredibly rich celebrity, an icon universally adored by everyone in the world, an idolized rock ‘n’ roll superstar anybody and everybody would do anything for—instantly without thinking – including probably me – what did he do – to who? -- that made him see himself as a pornographic priestess?
There are Scrubby Wallows on the internet that rate each Beatle’s behavior on tours – hanky panky – things like that. I was surprised I was surprised.
I don’t want to know what he did with who – so it’s your turn, if you wanna -- feel free. Fill in the blank. But please, for now – maybe for John’s sake -- not out loud.
"Man you been a naughty girl, you let your knickers down"
Lennon sadly stares at himself – sitting – somewhere -- disheveled, listless, broken-hearted -- the Queen of Utter Regret -- and in spite of his manufactured coyness and lurid displays, no one wants to be his friend.
I have heard one of the joys of celebrity is standing there with your pants down – exposed -- overwhelmed by the size of a gathering crowd fascinated by your humiliation and despair.
As you may have noticed -- the last line here is very similar to verse two, The Perp. Comparing the two elevates and clarifies both – besides adding to the evidence against Nonsensical:
Chapman is the naughty boy who let his face grow long. Lennon, in his vulnerability and inadequacy is a naughty little girl without a daddy, caught misbehaving. He never grew out of it. That’s verse four.
A sidenote: because of that last line – the naughty girl who let her knickers down -- the BBC banned Walrus from air play for a while.
Now – the part of Walrus that the world was witness to: John Lennon’s assassination from the moment he was shot until he dies -- ends here.
There are obvious questions about it, but public record can’t answer any of them. Ask me -- the song certainly seems to – by continuing the story of John Lennon now that he’s dead.
So I’m gonna give it it’s due -- go through the lyrics – see if and/or how they Verify, Expand, and/or Explain what’s gone before. And please understand the images I use under these conditions are as honest as I can make them, I believe them to be true -- but they are less definitive – because Walrus has led us into a spiritual world.
The Finish of the story starts here, Chorus #2! Passengers on the Passage.
I am the eggman; They are the eggmen
I am the walrus – goo goo ga choo
"I am the eggman"
Yeah, but wait. Humpty looks different. It’s Lennon up there on that wall looking like that Thinking Man sculpture.
"They are the eggmen"
Well! Us again. I forgot my suitcase, but I’m not gonna stay very long – Maybe we’re supposed to share his baggage -- heave our share of the load – something! -- so John can dodge some of the consequences, then he remembers—
"I am the walrus – goo goo ga choo"
Lennon is King Walrus of the Egg-men! Leading us youngsters down the beach. “There ain’t no mantra, no religion, nobody’s god is real. Come to me and my carpenter Yoko! We’ll build you a party you’ll never forget – and when it’s over, it’s over – no regret!
And then in the original mix, -- BLAMO! The party’s over. The whole dam song gets interrupted! Weird stuff. Sounds like a blitzkrieg. A electrical storm or sumthin’!
In music terminology, it’s called a musical interlude. Technically, it is a unique orchestral arrangement that rises in a constant and consistent wave, without melody or harmony, could even be improvisational, that climaxes in a terminal crescendo. Sounds kinda like the string section, tuning. I admit I am not the London Metropolitan Orchestra, but (does the LMO) Rummph!
It's an Intrusion--a change in the rhythm, sound, style, instruments – everything. Aha, critics said –more Nonsense. It was edited out in some remixed versions after that first release. But it was NOT nonsense! It’s a clear, precise musical statement that separated I Am the Walrus into two distinct parts that are still clear. We just finished part 1. Part two is different. It’s a morality play, a lesson to be learned. A Parable with Spiritual Implications. Part 1 is here to make sure we listen to Part 2.
In later versions, an argument breaks out in the background, deep voices, like maybe over which mix to use, but the string section intercedes, sweeps Lennon away and dumps him – somewhere else.
The tone modulates – it becomes melodic – kind of comforting. Like Lennon fled the ugly reality of our world and this universe -- to another – different one. And the lyrics exude a mood of wonder: I call it “English Garden – Question Mark?”
Sitting in an English garden waiting for the sun
If the sun don’t come you get a tan from standing in the English rain
"Sitting in an English garden waiting for the sun"
The mood music suggests that son will bring light – a caressing warmth to the wayfaring Lennon. And Lennon is waiting for the sun -- for some reason.
"If the sun don’t come you get a tan from standing in the English rain"
Huh? Uh-oh. Things turn cloudy. The son doesn’t come. The weather turns miserable. It starts to rain, but the rain doesn’t cool you off. In fact, its so damn hot that you start baking like a brisket. Baking like a … Oh, stop! That doesn’t make sense!
Doesn’t seem to. Then again, the song’s not over yet. Lennon finds himself in an unfamiliar place -- really unpleasant. It’s raining – and the rain is so hot it burns your skin. Suddenly Lennon realizes he’s smack dab in front of the Gates of Hell, looking in. Hot, wet, miserable and scared to death. He was waiting for the Son, but the Son didn’t come for him. I think you know what that might mean, but first we’re supposed to lighten up – take a breath -- because the chorus, #3, intervenes.
An old friend, calls us back to familiar ground. But in changing times, 3 seems a little different -- gets it’s own sub-title: Blind Man’s Bluff.
I am the eggman; they are the eggmen,
I am the Walrus! Goo goo ga choob!
"I am the eggman"
Humpty again? Waiting for the sun? No, Alice would be a daughter. It’s still John – sometimes he’s only about himself
"They are the eggmen"
Yeah great. Here we are again. I mean, why? We don’t know – the Eggmen are always there, but we never do anything. Just watch and listen.
"I am the Walrus! Goo goo ga choo!"
Lennon is Humpty Dumpty, the Eggman, again the walrus -- maybe he’s the carpenter, too. Putting up facades while he lures his little fansters. Just like in the poem. Don’t let him fool you. He’s not headed down the Primrose path.
Heading for Verse 5 is on a sign next to the gate: “Beware -- step down: Hell’s Hotel.”
Expert, texpert, choking smokers –
Don’t you think the Joker laughs at you?
See how they smile, like pigs in a sty, see how they snide. I’m crying.
"Expert, texpert, choking smokers"
Starring the denizens of hell, reliving their mortal sins over and over. "Expert, texpert"– it is a mortal sin to leverage your wisdom, experience, powerful position or knowledge – to glorify yourself at the cost of others, to lord it over innocents & especially children. "Choking smokers" – it is a mortal sin to corrupt, poison, pollute or destroy the temple you have been given to live in.
"Don’t you think the Joker laughs at you?"
Need any more to know where we’re at? There’s Laughin’ Boy over there – the one all in red. That ain’t Santa Claus, suckuh! The nasty sneer,the pencil thin mustache, waving the pitchfork around like it’s a scepter. Laughing his ass off how stupid and self-destructive humans are – just to keep him in business. Yup, the Bossman from down south, and you don’t want him for a landlord.
"See how they smile."
Jeez, these people don’t look much different from the guys back at the Dakota.
"Like pigs in a sty."
Oh! – they’re all trapped. They can’t get out or run away.
"See how they snide."
Webster’s def. of ‘snide’: ‘mean low = as in a trick. Slyly disparaging.’
They’re mean … hateful. They’re not happy, but its almost like they like what they’re doing. Oh yeah. They’re stuck here. With each other. Ouch
"I’m crying"
Those two words again. No pretense here. Lennon is about broken: Help me, How’d I get here? Oh, God -- I can’t get away. I’m stuck here too.
That’s v.5. It certainly ain’t no strawberry field.
Verse 6, chapter heading: The Gate Slams Shut.
Semolina pilchard climbing up the Eiffel Tower
Element’ry penguin singing Hare Krishna. Man, you should have seen ‘em kicking Edgar Allen Poe
"Semolina Pilchard climbing up the Eiffel Tower"
This is another place smart guys say is more proof it’s all stupid – What is Semolina pilchard? The Eiffel Tower? Nothing is related – it can’t mean anything!
Well, here’s what I didn’t know: Pilchard is an occasional English surname -- but Semolina is a type of wheat that makes white bread, pasta -- the most common wheat and bread in the world. And pilchard has another meaning: It’s a tiny little fish -- schools in the hundreds – darting back and forth whoosh, woosh, like they only got one brain, one conscious-ness. They all turn at once! How do they do that?
I went to The United Kingdom's Sea Fish Industry Authority. Well, their website. Pilchards are senior sardines. Really. Sardines who found a way to grow old. And that might look like the Eiffel Tower, but it’s not.
Semolina Pilchard is Ms. Whitebread Everywoman -- one of a vast number -- who without pride, noise or notice, outgrown ego or position of power, lived a regular life, asked forgiveness and got a ticket on the Stairway to Heaven. I understand it looks a lot like the Eiffel Tower – until it disappears into the clouds. There she goes. So long, Ms. Pilchard. And all you affluent, influential and damned attractive people trapped below get to watch her rise. How does that feel, guys? Don’t you just love your pride and prejudice?
"Elemen’try penguin, singing Hare Krishna"
huh? No! That’s Sister Lizzie – the second grade schoolmarm at Trickem Elementary! Why is she singing Hare Krishna?
Because if you use a false façade of religion to control or frighten others, particularly children, for Heaven’s sake! And you don’t care about or even understand different religions – including the one you’re hiding in -- that’s another mortal sin – several actually -- and shame on you. Maybe you can get Lennon’s autograph – if he’s not too freaked to hold something to write with.
"Man, you should have seen ‘em kicking Edgar Allan Poe."
Edgar Allan – why him? What’d he do? I’ve read his horror stories – some poems.
So I looked into his personal life – holy cow! For instance: Lennon was born in England and lived for a significant part of his life in the US. Poe was the opposite – born here, stayed there.
-Neither knew his father.
-Both their mothers died while they were children.
-Both grew up in foster homes.
-Neither was ever adopted.
-Both were disproportionally influenced by the female adult, and knew it. And talked about it.
-Both were writers of fiction, poems and short stories in common
-Both were tremendously successful.
-Both were known around the world - Poe and Lennon were international superstars of their time.
-Poe popularized a new form of literature – this was before TV -- the horror story,
-Lennon popularized a new sound in music – Brit Pop Rock.
-Both abused drugs.
-There’s more, but this – absolute fact – both of their lives were brutally cut short -- both when they were 40 years old.
That’s a matter of public record.
(Announce!) “Mr. Lennon – The Joker gives you -- your soul mate!” Look what all that fame and money and smarts and scary stuff got him! Other than that, Mr. Lennon, are you enjoying the performance?
Now the last chorus: sub-title The Precipice.
I am the Egg man. They are the Egg-men
I am the walrus, goo goo ga choo
There is so much here! For one thing: how little Lennon understood his own lyrics. That nonsense thing – makes for a pretty good story so far. I think he didn’t even get the name right. It should be I Am the Eggman.
One of the things it took me a while to -- grok (the Martian word for ‘understand deeply and completely’) -- is one of the biggest surprises. Humpty Dumpty, the Walrus, the elementary Penguin and John Lennon are all guilty of the same – for now, let’s call it – Bad Behavior – The Pied Piper’s Big Lie: misleading – hurting -- innocent Children by distraction or deceit. Lying to them. Luring them.
This is where James Patterson added to this story from his book came out just before Halloween of '22, The Last Days of John Lennon. He claims The Perp, Mark David Chapman was in on the game.
I quote: “Chapman … somehow, in his head, thought he would be the one saving kids from going over the cliff. He would be the catcher in the rye.”
Most of the world is aware of Lennon gloating the Beatles were more famous than Jesus. It got him a great deal of focus. On one of his last albums he wrote a song named ‘God’ where he says he doesn’t believe in a bunch of stuff: like yoga, religions, the Bible, mantras, Jesus, God – only himself and Yoko. Sarcasm or not, people young and old listen to John because he’s John.
In the parabolic walrus world, there is a big difference between the walrus and Humpty Dumpty.
The Walrus lures the baby oysters, eats ‘em. No judgement, no consequences.
But in Through the Looking Glass when Humpty sees Alice, he lies to her, distracts her from her trip home, even claims he owns her when he says, quote: “The question here is ‘who’s the master -- nothing else matters,” BUT: He is famously an egg perched on a wall, before he can do anything, he’s got to make a choice, one way or the other. Carroll didn’t share what Humpty chose – when Alice leaves, she just hears the crash behind her, leaving the Choice to be mused about.
So do you see the terrible cerebral parable? Lennon is the focus—the grasshopper being taught how to hop: Humpty is his surrogate, at risk, with issues to be resolved, no hopping till he makes his choice. The Walrus is a picture of the crime -- the example. Just like Poe suffering Lennon’s possible punishment in Verse six. And since Humpty is Lennon wobbling on the wall of decision, it might have been discovered sooner if the song was called I Am the Eggman. So many levels, so connected. Implication is Lennon is our Humpty Dumpty on the precipice. After all, if you know your biology, we all are – Eggmen – uh – Eggpersons.
I believe this complexity, this artfulness, these comparisons -- in their similarity with each other is proof of significant Intention. Somebody really smart -- conscious, aware of the problem, sent us this artifact, I Am the Walrus, on purpose. For our sake! Feeling dubious? I doth presume too much? There is corroboration in the lyrics that Lennon is Humpty Dumpty – did you catch it?
Back in verse 4, as Lennon was bleeding out in the back seat of the police car – what was that first image? Yellow Matter Custard. Lennon at the bottom of the wall -- exposed to his very yoke – oozing out the price.
So the song is over – not the track. Oh, isn’t the ending like gibberish? We finally get to the Nonsense? Well, no. not really.
Some folks think it sounds like tripping – hippie stuff. That’s the most credit it gets, usually. It’s much more.
It’s like a dramatic recreation of the Precipice. Lennon, wobbling on a skinny brick wall, having to make a choice that will determine his Eternity -- its scary, uncertain, upsetting, and there’s nothing to hold on to.
This nonsense is so particular, so connected to everything that’s gone before, it verifies this is the story of John Lennon’s murder – and it can’t be anything else. Here’s how!
It begins with a jumble, a smash of indeterminate sounds, nonharmonic music. A state of Confusion. Anxiety. Out of this morass, a chorus of singers chant nonsense syllables that evolve into two phrases that would be opposite responses to the Big Choice at hand:
"Stick it up your jumper"
prideful, defiant – a greased slide downhill to the Joker’s party – and:
"Everybody’s got one"
The ultimate fairness, all the Eggpersons, even though they are All One, One get’s to make their own choice. Don’t be scared, but consider with care – because it’s forever.
The last thing on the track is maybe the most amazing of all. Lennon said while they were finishing the final version, a radio was on in the studio and he dubbed a couple of lines at the end there from a broadcast. At the time, he didn’t even know what they were.
Turns out they’re from Shakespeare on the BBC – 4 random lines written 4 centuries before that indicate, again, Walrus is about John Lennon and his assassination. It’s from a death scene in King Lear.
Not all of Shakespeare’s murders happen on stage – this one does. I’ll edit a bit – Shakespeare can be wordy:
"You killed me: quick, send out my letters. Uhhh! I’m dead"
And falls over...
"… villain, (you’re) as duteous to the vices of thy mistress as badness would desire."
Mister, you did bad things because your girlfriend wanted you to! And you did ‘em real good. Sounds like John and Yoko to me. ‘Least what most of the Beatles thought.
"is he dead yet?"
"Father – you can rest now, the game is over."
...
So – four lines we’ve listened to for more than 400 years, put ‘em in this new picture we have Lennon murdered, hear that Yoko Ono busted up the Beatles, and the Father arrives – to put it all to rest.
BUT WAIT! What the parable doesn’t do, if it’s a parable, is make the choice. And if We the Eggpersons are involved – it can’t. Because that’s the point: each one of Everybody – each one of us – has to make the Choice. Ask forgiveness and join the Best Bet Set, or just head on down to Eternal residence in the Joker’s co-op. You pick!
And there we are: I Am the Walrus decoded, exposed and understood--what it means right now, today. But I've got a shoe to drop, not a mic.
Those Implications I mentioned.
If Lennon didn't conceive this, who or what did? How? Why? What might it mean for the future? Tomorrow and tomorrow ...
I have some opinions, but by themselves, that's not good enough. I need more input -- to matter to the wide range of Eggpeople, more thoughts and/or opinions needs be included.
There's a website (this one!): walrus-understood.com, to gather good ideas, personal perspectives from anybody who wants to play. I want to get as close to the truth as possible. Please sends ideas, responses -- whatever.
Here's one: I Am the Walrus is an artifact from a Voice far beyond human, complete with bona fides, that lays out a specific morality as imperative for us to follow.
I'm not looking for agreement: differences are opportunities for a more complete understanding. Please send something. Spread the word. Maybe, together, we can figure this out completely.
In a couple of weeks Episode 2 of Walrus decoded will return with some results -- I hope.
The End! ... for now.
But I can’t help myself. I do have a story, about a weird dream I had. Weird because I wasn’t asleep. I heard whispering – it was a walrus. He told me a story about the future.
Everybody in the world was on the same phone call. On cue, led by billions of young voices, every human said, in unison:
"I am he as you are he as you are me and we are all together."
The power of those voices – focused into One, that Truth -- transformed the world. Borders disappeared. Weapons were useless. No need for money. Everybody got fed, everybody had a home, and bonded by a joy for the world as it should be, as One -- we wondered what tomorrow might bring.